ArtSource

87-89 The Hop Exchange

24 Southwark Street

London

SE1 1TY

020 7378 0002

She creates scenarios and visual metaphors to typify and embody abstractions such as one's inner state of being or intentionality. Her work aims to appose the awareness between internal and external realities, personal and public experiences by creating playful narratives.

Anak has also taken part in communication and theatre workshops developing physical metaphors as an anchoring system of language. She is currently developing an interactive tool for visualising progress.

Working closely with architects at all stages of a project, we consider light to be the fourth dimension of architecture. It should provide visual comfort and quality. Incidental use of colour and a sense of theatrics enable us to extend the role of both natural and electric light beyond the typical boundaries of the lighting profession.

Arup Lighting

13 Fitzroy Street


London

W1T 4BQ

Tel: 020 7755 3094 
Fax: 020 7755 2752

Email: katie.davies@arup.com


In constructing these devices the creative demands for Bolygo are to investigate how underlying scientific structure can change or shape an object. The practical solutions to physical problems concerned with friction, weight, tension and compression are all elements that make his kinetic devices independent of his presence. These kinetic mechanisms enable complex patterns to build up over time and embody the connection between space, matter and time.

With extensive expertise of the body in motion, both physical and virtual, the group merges content and interactivity into new generation display interfaces and media facades.

body>data>space use connectivity and locative technologies such as sensors, virtual worlds and telematics to network public engagement and creativity. Based in East London the team specialises in telematics – realtime performances using the internet to link two remote spaces, allowing the participants to collaboratively play, communicate and knowledge share at a distance.

Representation

Agent Morton, London.

Serena@agentmorton.com

44 [0]207 341 4307

Serena Morton

Collectors Contemporary

5 Jalan Kilang Barat

#01-03 Petro Centre

Singapore 159349

Tel: (65) 6878 0103

Fax: (65) 6878 0041

Dr Alvin Koh

Their many projects also include Cantan un Huevo, awarded at the 29th Competition of Bourges, 2002, and Aguas Vivas, which obtained a mention at VIDA 6.0, Madrid, 2003 and was shown at “White Noise”, ACMI, Melbourne, 2005 and in “El medio es la comunicación”, El Tanque, Santa Cruz de Tenerife, 2007. A retrospective of their work is planned for summer 2009 in the region Isère, east of Lyon, France.

With financial support of the Instituto Valenciano de la Música, Spain and presented by FACT.

Patterns are powerful visual tools. They define the environment we live in, conveying rich historical and cultural meaning. They both reflect and create a rich art vocabulary. Art can contribute to integrating new technologies into our lifestyle. In recent work such as Skylights, Ginco embraces electroluminescent technology to create a skyline in motion. In this series, light patterns dress buildings and hence participate to the landscape as an integral element of the architectural design.

http://ryanjordan.org/

http://nandadoes.com/

http://jeeeeee.com/

http://artemispapageorgiou.wordpress.com/

"In sculpture you can have an idea, an exact idea but the final result will come from experimentation and the limits of the material. In this mutual give and take, a transformative process takes place; where there is an evolution of both form and idea. In my work I have been combining flexible and rigid materials, materials that merge a biomorphic, surreal pattern of black shapes and lines, with geometric metal frames and structures that work at the same time to move, and contain the active forms of the piece, creating what I hope is a humorous, surreal form of sculpture." - Jack Pavlik

Jason Bruges Studio
2.08

The Tea Building


56 Shoreditch High Street


London
E1 6JJ


+44 (020) 7012 1122

From his early fascination with reflected light flickering off the water near his childhood home in Southsea, Hampshire, to the urban vibrancy of his current East London residence, the ephemeral qualities of light and its impact on surrounding surfaces has played a determining role in the development of Richman’s creative process. While the scope of his projects range from discreet light boxes, designed to fill the space between two books on a shelf, to relatively large and complex public installations, Richman has continually managed to infuse his work with a subjective awareness of his surroundings.

His research in intuitive musical interfaces started in 2003 with a Diploma in Multimedia/Communications Design. Since then he has developed various interactive sensory devices, which he has used for installations and as musical instruments for his experimental, sensory music project “zeichensprecher”.

The hexagon dress is part of her graduation project called Limbus, combining technology fashion, light, computer programming and mechanics.

11 Church Street

London NW8 8EE

T +44 (0)2077245548

UK +44 (0)7900215317

D +49 (0)1723822495

In particular, he has focused on the illusory effects that result from directing or predetermining the presence of these properties and controlling their interaction, resulting in work that can often produce calming, disorienting or hypnotic sensations. Citing the colour theories of Goethe, Wilfred, Klee and Mondrian as major influences, Sedgley began to incorporate rotating and stroboscopic lights, colour filters and ultraviolet into his work, as an attempt to further explore colour in relation to the metaphysics of vision. Initially trained as an architect, he aligns his work to the creation of an ambient spatial theatre in which the viewer becomes both spectator and participant.

Buxton has exhibited widely in the UK and internationally and his work appears in the collections of the Victoria & Albert Museum, the Design Museum London and the Cass Sculpture Foundation. His work will be exhibited at the Venice Biennale later this year. Sam Buxton lives and works in London.

A former painter and U. S. national champion gymnast, Seth Riskin brought his visual art and movement ability together at M. I. T. in an original art form known as Light Dance. He studies light in varied cultures, notably in Hindu India where he researched ritual fire dance on a Fulbright Scholarship. Riskin teaches his light courses at universities such as M. I. T. and the Rhode Island School of Design—An Anthropology of Light and The Architecture of Light are examples.

Riskin currently works at the MIT Museum where he leads two projects: the Holography and Spatial Imaging Initiative and the Emerging Technologies Initiative.

Seth Riskin

Emerging Technologies Initiative

Holography and Spatial Imaging Initiative

MIT Museum

Other projects Shadow have worked on include: a huge light display on a 200 foot chimney, robotic dinosaurs for a museum exhibit, and range of automated furniture for a penthouse suite.

Shadow are happy to take on any stage of your project from initial back-of-the-envelope sketches to final deadline rescues! They have carved out a reputation for taking on projects which others have said were impossible and ending up creating something quite special.

T: +44(0)207 700 2487

For more information, visit:

www.inition.co.uk

www.magicsymbol.com

Spring - Summer 2009 Programme of Events

Monday 19 January 2009 – Lansdown Symposium: 'Completing the Circle: Incorporating Evaluation in Creative Work', a one-day symposium at the British Computer Society

4 February 2009 – Peter Zinovieff

4 March 2009 – Francesca Franco

1 April 2009 – Joel Parthemore

6 May 2009 – Jörn Ebner

Monday 6 to 8 July – EVA ‘09, Electronic Visualisation and the Arts, at the British Computer Society

The Computer Art Society is free to join and meetings are held at the London Knowledge Lab on the first Wednesday of the month at 6:30 for 7:00pm unless otherwise indicated. See website for further details.